Ableton live 9 suite authorization file free –
The “Show All Tracks” functionality that was bound to the “S” key in the Arrangement has been removed. The “S” key can now be used to solo tracks in the Session and Arrangement instead. When invoking them again, the remembered view state is restored. Additionally, the respective buttons in Arrangement indicate whether a remembered state exists by changing their color.
When the Detail View is in focus, pressing “H” zooms in on the area from the lowest to the highest note in the clip. The behavior with multi-clip editing is also the same: notes in all edited clips are considered. Pressing the “Z” key or clicking the View menu’s “Zoom to Time Selection” command changes the height of selected content to fit the Arrangement View. The “X” key now allows zooming back out from the time selection. When zooming in multiple times using the “Z” key, the “X” key can be pressed multiple times to go back one step each time the key is pressed.
In the Arrangement, when only a few notes exist within a MIDI clip, they now appear in a larger size. On Windows, Live now respects the Control Panel’s “Choose how many lines to scroll each time” setting. In the Arrangement Overview, clips now always appear in the same color as in the Arrangement. Single tracks now appear in a standby selection color, under certain circumstances. Until now, only multiple selected tracks were shown with a standby selection color, whereas single tracks were simply shown as unselected.
The changes are as follows: when resizing an unselected track in the Arrangement, the track now appears as a standby selection. This is consistent with the behavior in Session View. This applies to both the Session and Arrangement Views. Previously they were rendered too small or displayed UI glitches. On Windows, the cursor that indicates that a breakpoint can be added is now white.
Rubber-band selection now scales correctly on hi-dpi screens. The status bar text shown after selecting MIDI notes in the editor has been improved, so that if only one note is selected, it does not display that as a range anymore.
Max for Live improvements Scale intervals can now be observed from Max for Live. Additionally, it provides the ability to modulate delay time and filter frequency with a built-in LFO. When opening an older Set or Preset which used Simple or Ping Pong Delay, an upgrade button will appear on the Delay device used in place of the original devices.
Introduced Channel EQ. Channel EQ is a three-band equalizer focused on immediacy. It is now possible to drop an audio file onto Wavetable’s Oscillator tabs, and use it as a wavetable. By default, the wavetable is processed and smoothed. However, Wavetable also provides a “Raw” decoding option.
Please note that at this time encoded files e. Previously, these controls were exclusively available in Sampler. In the Delay device, the maximum delay time offset is now consistent with the Simple Delay and Ping Pong Delay devices. When mapping a parameter to an empty macro, the macro assumes the full range of the target parameter, and will be set to the current value of the target parameter.
Push 2 New scales are visible on Push, and some existing scales have been renamed. Setup Improved the performance of drag and undo commands on interactions with automation envelopes. All plugin settings now appear in a dedicated “Plugins” tab in the Preferences. Introduced system folders for VST3 plug-in scanning. Also added a button to the “Plugins” Preferences tab to enable and disable system folders. VST3 plug-ins are now scanned via a separate background process.
Plug-ins that crashed during scanning no longer cause Live to crash. In addition, Live will not need to wait for the plug-in scan to finish in order to launch. VST3 plug-in scanning now supports symlinks. For VST3 plug-ins with less than 65 parameters, the parameters are now auto-assigned after instantiation.
Sidechain routings, Gain and Mix parameters are now displayed in third-party plug-ins in the Device View. Breakpoint values would erroneously be displayed behind insert markers. When using the smallest adaptive grid possible i. Automation Previously, CC messages received in a track input might erroneously affect a clip that is playing back on a different track, even if that track was not armed. Also, Live no longer filters out “duplicate” CC messages. Automation segments and breakpoints would appear highlighted on frozen tracks, although automation cannot be edited in such cases.
In automation envelopes, the automation value display will no longer disappear after opening a context menu and moving the mouse above it. It was erroneously possible to set the insert marker or select time on a frozen automation lane. A crash could occur when loading a new Set after remote-mapping a Macro control in another track. Live Sets could become corrupt after duplicating a clip or a track containing a clip and then adding additional notes to one of the clips.
Interface Improvements Creating a looping Arrangement clip containing MIDI notes and zooming out far enough would cause the clip content to suddenly appear as a black block. Previously, when selecting all editable text within a field, a gap would appear to the left side of text.
The mouse cursor would not change when attempting to resize clips in the Arrangement, if the Session View was playing back a clip on the same track. Fixed a text glitch that occurred when displaying sample time values in Sampler or Simpler.
Additionally, the Reverb device’s Reflect and Diffuse parameter texts were cut off. Both bugs have been fixed. Fixed a bug which prevented existing Macros from connecting when grouping devices within a chain of an existing group device. Live would crash when using the “Delete Device” context menu item, while the device was being renamed. Fixed a number of inconsistencies that would occur when an AU plug-in’s parameter list changed, which could potentially leave a Live Set in a partially broken state.
Automation When hovering over automation, the cursor now indicates that a mouse click would create a new breakpoint. Modulation envelopes of disabled warper parameter envelopes now appear grayed out. The state of the Lock Envelopes switch is now ignored when pasting track content to a frozen track, and when pasting automation.
This ensures that clips will sound the same when the track is unfrozen. When a Komplete Kontrol A device is connected, it is now automatically selected in the Preferences. Interface Improvements Improved Live’s drawing performance. Previously for macro-mapped parameters, the modulation envelope would appear grayed out. Now, the automation envelope appears grayed out instead, since the modulation still has an effect on the mapped value, whereas the automation has not.
Unified the off-grid color indication for the vertical automation guide line and markers in the Arrangement and Detail View. Added minor graphics improvements for device chains. Updated the Help View’s table of contents and various info texts. Updated some info text translations. Fixed a crash that occurred when zooming to a time selection, deleting a track and zooming back.
Previously, the Edit menu’s “Cut Time”, “Duplicate Time”, and “Delete Time” commands would be incorrectly enabled when there was no time selection.
A MIDI track would not be monitored during an Arrangement recording, after a clip’s playback was stopped on the same track in the Session View. Previously, unwarped samples dragged from the browser on top of other audio clips in the Arrangement would sometimes be arbitrarily shortened. Live could crash when clicking within proximity of an Arrangement locator.
Automation Dragging the automation lane selection start to a negative time would change the selection to a content lane selection. Fixed broken clip envelopes created by the step automation feature on Push. When deleted via a parameter’s context menu, a clip automation envelope’s value line was displayed in the wrong color. Fixed a bug which prevented dragging an automation breakpoint to 1. Previously, splitting and moving an automation envelope’s left-most line segment would shift the segment to the right.
Browser When a Collections label was assigned to a project folder, it would appear twice in the respective browser Collection. Fixed a bug which prevented drag-selecting a range of entries in the browser side bar. Control Surfaces When using Drum Racks, nested devices would still display their visualization after the drum pad was selected in the device navigation area via the top row of buttons, on Push 2. Only the choke group and tuning settings for the drum chain should be visible in that view.
Fixed a bug where the message “Parameter The “Komplete Kontrol A” remote script will now be auto-selected on Windows even when the port name is prepended with a number. A crash might occur when undoing inserting e. File Handling In the File Manager, an Arrangement clip would be displayed multiple times under the same reference file.
When video output failed to render, a pop-up would appear with the message “Do you want to delete the rendered audio? Live could crash when using the Manage User Library feature, under certain circumstances. On Windows, if Live fails to overwrite a file during rendering, it will no longer crash. Instead, it will use a different file name. Instead, the “Export” button is now grayed out.
Fixed a crash that occurred when decoding an Ogg Vorbis file with more than two channels. Now, instead of crashing, Live will decode the first two channels as stereo, and ignore the other channels.
The File Manager could fail to display anything after exiting the Manage Project tab without saving. Interface Improvements Users of Apple’s Magic Mouse would struggle to delete automation events with a single click. Added a minor UI fix for misaligned controls in plug-in racks in the Device View. Fixed truncated text in Wavetable’s Modulation Matrix.
Fixed misaligned text at high zoom levels. On dial controls, the gap now appears where the needle is, instead of the current value point. In addition, a crash would occur when deleting a modulation envelope that was initially visible after loading a Live Set. This applies to shown and hidden VST windows. If multiple VST windows are being opened on a non-primary screen, they will be positioned in a cascaded way instead of in a seemingly random fashion. This matches the behavior on the primary screen.
The distance of cascaded VST windows’ title bars is increased so that the whole title bar is visible. Fixed a bug which caused text to bleed from the browser into the Info View, as well as other similar glitches, when using the Zoom Display feature.
Fixed truncated text in the Saturator and Resonators devices. On macOS, the color of modifier icons and text in context menus now match. Under certain conditions, zooming on certain audio waveforms would cause the Arrangement View to jump around. Fixed a bug where the Arpeggiator device would play notes at half the set rate, when its Gate parameter was set to by entering the value with the keyboard. Live could crash when loading certain Wavetable presets.
ReWire Updated ReWire libraries to version 1. This fixes a problem where starting Live on macOS Fixed a crash that occurred after closing the error dialog informing about an unusable ASIO driver clock signal. On Windows, Live would sometimes crash while shutting down. Fixed a bug which caused Live to trigger security warnings on macOS Mojave version Fixes a bug which prevented Live from being completely bit compliant. Edit commands for cutting, duplicating and deleting time work regardless of the current Arrangement content selection.
These commands are also available if a selection exists exclusively in an automation lane. Added a “Create Fades” command to the context menu of Arrangement tracks. Automation Added a “Create Fades” command to the context menu of Arrangement tracks. It is now possible to create and reset fades when clip content is selected in Automation Mode.
Added “Clear Envelope” to the automation lane context menu and “Clear All Envelopes” to the Arrangement track header context menu. The horizontal movement of automation breakpoints creates horizontal gaps when dragging clips or nudging content or automation within a time selection. Introduced the “Snap Automation to Grid” menu option. When enabled, automation breakpoints and segments snap to the global grid. When “Snap Automation to Grid” is disabled, the grid snapping modifier works intuitively, and a light blue vertical line indicates when the dragged breakpoint snaps to the next or previous gridline or breakpoint.
Browser Color labels are now stored in the same file system folder as the files they are attached to, which makes it easier to manage browser items and their assigned colors across different Live installations. Interface Improvements Font rendering is now more crisp at all zoom levels. Improved the speed at which the Live interface updates. Introduced the Ableton Sans Small font, which is more readable at small sizes.
This change generally increases readability of all text in Live. On Windows, Live uses the keyboard’s repeat settings to determine the scroll speed of scroll bars. Increased the contrast of the spectrum in EQ Eight across all Themes. Improved Wavetable’s performance when playing simple sounds e. Added Groove Pool info text translations. Added and updated translations for various Help View lessons. Updated built-in lessons in the Help View. Creating fades on multiple tracks would result in one undo step per fade instead of a single undo step.
Zooming by scrolling now works independently from the scroll direction set in the System Preferences macOS only. Live no longer enforces a minimum length when resizing Arrangement clips. Additionally, fixed the following bugs which occurred when freezing a track containing muted clips: The frozen track would be silent in the area of the frozen clips, even if something should have been audible there.
Freeze tail clips could overlap with the muted clips. The message “Warp Marker segment BPM limit reached” would sometimes appear in the status bar when stretching Arrangement clips, even though the limit had not been reached.
Previously, erratic scrolling would occur when there was only one Warp Marker set after “0” beat time. Also, jittering would occur when dragging and holding a Warp Marker while the grid was disabled. Autoscrolling will now always occur when dragging the loop marker to the right or the left outside the Arrangement.
Parameters that have no effect on the current Warp Mode are now correctly displayed as disabled in the Clip Envelope Control chooser. Before, it was only applied when either the fade-in end time or the fade-out start time were within the current time selection.
Automation Deleting a breakpoint by clicking on it would accidentally move the breakpoint instead, when using a graphics tablet. The content selection of automation lanes is now restored after undo and redo operations. Until now, only the content selection of the content lane was restored.
Breakpoints can no longer be moved into negative time. Fixed some issues with VST and AU plug-in parameters, particularly where unconfigured parameters were heavily adjusted within the plug-in. Previously, fade handles could be edited using the mouse or keyboard, even after switching to Automation Mode, where the fade handles were not visible. Browser The Live browser would fail to see files from OneDrive folders.
When installing factory packs the contained “Ableton Folder Info” folder would not be hidden until the next startup. Fixed a crash that occurred when. Control Surfaces Fixed a crash that occurred when deleting a track while changing a parameter of that track via MIDI mapping. File Handling Fixed a bug where Live would incorrectly use a previous freeze sample instead of producing a new freeze sample after changing a device parameter.
Fixed a bug which prevented AU presets from recalling parameters correctly. Fixed a crash that might occur when trying to recover from a crash. Fixed a crash that occurred when closing Live while listed samples were selected in the File Manager.
Interface Improvements Live could crash when displaying a modal plug-in dialog. Previously when clicking the drop area of the Arrangement, the track highlight would either move back to where the time selection was last, or not move at all. On Windows 10 with HiDPI enabled, the menu bar now works as expected if the main and second window are on screens with differing pixel densities.
Waveform drawing would not work properly at certain zoom levels. On Windows, Live no longer crashes if the file dialog is shown for a long time. Live would freeze at startup when running on monitors with refresh rates above 60 Hz.
Previously, “Show Modulation” would appear in the context menu of an Envelope Editor, if a Max for Live parameter with no modulation was selected in the Clip Envelope Control chooser. In German, the text of the Export and Cancel buttons no longer overflows in the Render dialog. In the browser, the search field now has the right text color in the Dark theme.
In the Groove Pool, the drop message is no longer split onto two lines. In other places, text that appeared blurry in some buttons is now crisp again. On Windows, if you clicked a separator, the cursor would erroneously change back to a pointing cursor. On Windows, if using a screen with a refresh rate above 60 Hz, Live’s UI would not draw smoothly and potentially lock up when loading certain plug-ins. Under certain circumstances, a Live Set could become corrupt due to an invalid Group Track structure.
On Windows, Live could crash while launching in cases where it failed to position itself on the screen. The playhead was no longer shown in the browser’s Preview Tab. Added further improvements to the UI performance on Windows in cases where Live runs on monitors with a high refresh rate. Max for Live Live could crash when loading a Set, if a Max for Live device was mapped to a macro control.
Frequency, Gain and Q are automated or modulated. Adjusting Wavetable’s envelope slopes could cause the audio engine to become silent under certain conditions. Live could crash when duplicating a track containing a Wavetable instance. Setup Fixed a bug which affected the way invalid denominator values in time signature changes were corrected once the “Enter” key was pressed.
Previously, tracks created in Map Mode were not mappable. Live would not support ASIO interfaces with a single mono input channel. Update various info text translations. Changes for Push It is now possible to fine-tune Wavetable oscillators on Push 1. Improved the performance of Push 2’s display process. With some graphics cards running on Windows, the Push 2 display process might frequently run into crashes with certain GPUs.
The copied automation will always land in the correct lane. Automation When nudging a time selection in an automation lane, the automation outside the selection remains unchanged. Enabled vertical auto-scrolling when dragging an automation lane. Additional automation lanes are now unfolded by default. Improved the horizontal movement of a range of automation segments.
Ramps are no longer created when a time selected range of automation is moved by nudging or dragging horizontally and is still partially within the original time range. Fades no longer snap to the Arrangement View grid. When connected, the Novation Launchpad S and Launchpad Mini control surfaces are now automatically selected in the Preferences. Interface Improvements Improved Live’s perfomance when resizing audio clips in the Arrangement. Added a gap between the handle and the track of the scrollbar in the Arrangement and Session View.
Sharpened the appearance of the triangle that appears above bipolar knobs. Adjusted spacing between devices and meters in device chains. Adjusted the color of the Arrangement Overview frame to increase visibility in dark Themes.
Changed the color of Drum Rack label to increase visibility in the Dark Theme. Adjusted the spacing below Session View’s horizontal scrollbar so that it is centered. Adjusted the selection frame in device groups and corrected inconsistencies in the look and behaviour of the Sampler device. A track created by dropping a single clip into the Session or Arrangement View’s Drop Area now inherits the clip color instead of the source track color.
When dropping several clips at the same time, the new track still inherits the source track color, as before. Improved the playhead smoothness on Windows. Fixed permissions issues on macOS for non-Admin accounts.
Updated documentation for the Live Object Model. Multi-core rendering in Live is now supported if a Set contains Max for Live devices. Previously, there was a possibility that all MIDI notes in a key could disappear when stretched to an extremely small size e.
This has now changed, and further stretching is not possible once notes reach a very small size. New Devices and Device Improvements Filter curve visualisations in Wavetable are updated in real time in cases where e. Setup On Windows, Live now cleanly shuts down when a user logs out, shuts the computer down or reboots it. It also displays a message explaining why it is preventing the computer shutting down, giving the user 30 seconds to abort shutting down and save the Set.
Updated various info texts. Wavetable In Wavetable’s Mod Matrix, the left column containing target names now features bars that indicate the unmodulated and modulated value of the respective parameter. Additive modulation is indicated by a bipolar bar starting from the unmodulated value, while multiplicative modulation is indicated by a unipolar bar starting from the left.
When Live’s transport is started or if there is a jump in beat time, Echo and Wavetable LFOs now update their phase if they are beat-synced. Previously, start and end markers for unwarped audio clips were erroneously quantized to the grid. Creating a warp marker could trigger scrolling of the selected clip under certain circumstances.
Previously it was not possible to adjust the loop start position in unwarped audio clips without quantization. A crash would occur when editing the crossfade between two very short clips. Fixed a crash when removing a device that showed a parameter in an additional automation lane while the mouse is hovering over the parameter’s automation.
The “Select Track Content” context menu command would not work on multiple selected tracks. Automation Previously, when copying an Arrangement clip with existing automation to another track, automation would not be copied even if the target track and source track contained identical devices. Also, if a track is created by dragging a clip into the Arrangement drop area, all automation is now copied over and set to the the correct time.
Copying and pasting automation might lead to unexpected results, if the copied selection extended across multiple tracks. When pressing the Option Alt key and clicking on a track’s Unfold Track button, the position of that track does not change.
Live could crash on Windows when clicking on a breakpoint while holding the grid modifier. Positioning fade handles with arrow keys was not working correctly. Browser AU plug-in default presets. Files from the “Current Project” label might fail to appear in the browser under certain circumstances.
File types unsupported in certain editions and when run as a ReWire slave e. M4A audio files would not show up in Live’s browser anymore. Control Surfaces Added bank definitions to Wavetable for third-party control surfaces. File Handling Previously it was not possible to delete files or directories with names containing slashes. Previously, toggling Automation Mode would create an Undo step.
Plug-ins and Sets that are saved in directory junctions on Windows work again. Live would crash when launching the program by double-clicking a Live Set, in cases where the Live Set was corrupted. Fixed a problem which might prevent AU presets from recalling correctly. Live’s window contents no longer briefly flicker after changes to a hardware display setup. Depending on the language used in Live, the progress of the crash recovery wasn’t visible on the splash screen because the text was clipped.
Improved the drag and drop handling on HiDPI screens. Previously, dragging a file from Explorer into Live would show the file at the wrong position in Live Windows only. Fixed a bug which caused text to overflow on top of the frame containing the browser’s search field. Fixed a bug which caused clips to be incorrectly colored when readded to a Live Set, if an. Fixed a bug where sequences of visually short borderless notes would be nearly invisible if crowded into overlapping pixel areas.
Fixed a minor visual issue affecting corners in grouped devices. Fixed a minor inconsistency in the height of notes in Arrangement clips and clip previews.
Upon loading a Live Set, the clip envelope parameter selection would not be restored in the Detail View. When double-clicking and dragging a slider control, the mouse cursor would not be hidden as expected, if Pen Tablet Mode was disabled.
Meters in Live’s mixer would appear as stuck when loading a Set. Improved UI performance on Windows when resizing Arrangement clips. Fixed a bug which incorrectly applied bold formatting to chunks of text in the Help View. If HiDPI was enabled on a Windows 10 machine, the preview of a dragged object either dragged within Live or into Live would appear offset.
If multiple audio clips were selected, changing a selection in the Detail View would create a wrong time selection in the Arrangement. Removed inconsistent extra spacing from the context menu entry “Add Lane for Each Automated Envelope” in automation lane headers. Previously, some radio buttons in certain devices displayed unreadable text.
On Windows, dropping files from Addictive Drums 2 into Live works again. When renaming Arrangement clips, the wrong mouse cursor would be displayed, making it difficult to insert the cursor at the desired position. The grayed out text “Open Groove Pool On Windows, if a plug-in showed a modal dialog, the main window could not be closed while that dialog was being shown. Horizontal sliders are now black instead of white in the Dark Theme this is particularly noticeable for plug-in device parameters in the Detail View.
Restored Hints functionality. Live could crash when deleting a Max for Live device which had a fullscreen window. Live’s main window can no longer obscure all other windows when using Max for Live devices.
The Max patcher window is now correctly sized on Windows. Text in message boxes would sometimes appear cut off. Various nodesnames attribute improvements. Fixed issues with adding new objects to presentation mode. Seq object now properly records MIDI. Firewall permissions dialog is appropriately suppressed in the Max for Live editor.
HiDPI: improved drawing when changing Windows display settings. Max Authorization Window: improved wording and user options. Performing an Undo after Macro-mapping a Max parameter would leave that parameter unmapped and unusable.
Live would crash when dragging a Live device on top of a Max for Live device. Mapping Device Rack Macros to a live. MIDI editor When folding an empty MIDI clip in a Drum Rack that contained at least one chain receiving all notes, the clip would fold to that chain only, whereas now the clip will not fold at all.
Also, when switching between audio clips while a warp marker was selected, the Seg. BPM box would erroneously show the tempo of the previously selected marker. This would also lead to jumps in the displayed waveform visualization when the tempo was adjusted. In a multi-clip editing scenario, notes of all clips are taken into account, whereas previously only the notes of the foreground clip were considered. Additionally, fixed a bug which prevented the vertical zoom state from initializing correctly under certain circumstances.
Fixed a few minor bugs in the MIDI Editor: when selecting one out of many selected notes, the selection would not revert to the selected note when opening the context menu while hovering over a background note, and then clicking outside of the context menu, the background note would remain in a hovered state when hovering over a background note, it was possible to highlight a momentarily invisible foreground note Multi Clip Editing Previously, the adaptive grid size of a newly created clip could sometimes be incorrectly calculated when multi-clip editing.
Navigation Tracks in the Arrangement View would scroll out of view completely when toggling Automation Mode if the highlighted track was not visible. When resizing an Arrangement track, only tracks whose header is selected will be resized.
Previously, a track might be erroneously resized if a content selection existed on that track. When scrolling up and down in the Arrangement View using a mousewheel, the view would only move in very small increments. Previously, when extracting a Drum Rack chain to a new track, the zoom level and time selection were erroneously applied to the newly created clip.
When undoing the deletion of a note while in Arrangement View, the Clip View zoom level unexpectedly zoomed in to that note. Previously, scrolling the Arrangement’s mixer section with a mousewheel was not possible.
Previously, the time selection status display would not get updated when selecting a clip in the Arrangement. The grid modifier would not toggle the grid when changing the time selection or moving the insert marker with the arrow keys.
Dragging a device over a Session return track header that overlapped a group device chain header would cause erratic scrolling in Session View. Nested Groups Fixed a crash that occurred when duplicating a nested Group Track containing a plug-in with an active modal dialog while Live’s second window was open. New Devices and Device Improvements The Arpeggiator device could lead to crashes under certain circumstances. AU plug-in parameters might behave erratically when being controlled with the mouse, under certain circumstances.
It was erroneously possible to tweak parameters in the expanded view of certain devices, even if the track was frozen. Under certain circumstances, some Wavetable and Echo parameters would not respond smoothly. Simpler’s settings would not be recalled correctly, if the device was set to Slice by Beat and its playback was not warped.
Echo’s timing would change when exporting audio at a different sample rate than the one currently in use. Under certain circumstances, Wavetable’s polyphonic voice stealing would cause certain notes to get stuck. A crash might occur when trying to preview a Live Clip in Live’s browser, if this referenced a Wavetable device.
The switches on the left side of the Glue Compressor device are now centered. Certain parameter names would be truncated in the left column of Wavetable’s Modulation Matrix. Dropping many samples onto a Simpler or a Drum Rack would take much longer in Live 10 than it did in Live 9.
Live could crash when loading certain Wavetable presets from the Core Library. Setup Fixed a bug which caused a “Preferences. Fixed a crash which occurred on startup under certain circumstances. On certain Windows machines, attempting to authorize Live 10 would fail. Live was not able to prevent entering Sleep mode or turning off the display on Windows. Wavetable The animated sliders beneath the modulation target names would occasionally not appear in Wavetable. Improved Wavetable’s impact on CPU under certain circumstances.
Changes for Push: Push Improved the display of Live’s color palette on third-party control surfaces. Updated Push 2’s firmware to version 1. This version contains the updated color palette for Live Envelope visualizations are now available for Wavetable on Push 2.
It is now possible to select wavetables in the Wavetable device on Push 1. Push bugfixes: Push The clip color palette for Push 1 was updated to match the Live 10 color palette. The Push 1 browser would not display entries correctly if Live’s language was set to Japanese.
Fixed parameter sensitivities for Analog and Impulse devices on Push 2. Push Device Visualization Wavetable’s filter visualization on Push 2 might be displayed incorrectly after the Control Surface script was reinitialized. A device’s color would not update correctly on Push 2 when moving the device to a new track.
Push 2’s display failed to indicate that an automation existed for certain Wavetable filter parameters. Fixed envelope slope visualizations in Wavetable on Push 2. Added missing parameters and icons for Operator and Analog’s parameter banks on Push 2. Fixed a scenario where Push 2’s display could crash when hot-swapping AU plug-in presets.
The Note Settings view would close after touching an encoder, if all notes were being edited Push 1 and Push 2. It is now possible to copy, paste, duplicate and nudge a time selection that spans across automation lanes in multiple tracks.
When an Arrangement selection resides on an automation lane, the text for nudging changes from “Nudge Clip s ” to “Nudge Envelope s “. While dragging MIDI clips, notes are drawn in the range of the target track. This enables seeing the content of the clips in the context of the target track. Automation It is now possible to extend a selection from an automation lane to the content lane of the same track. Introduced a “micro-snapping” behavior: clips, loop markers and warp markers snap to a grid line even if the grid is off, if the distance to that grid line does not exceed 1 pixel.
Browser It is now possible to add Factory Packs content to Collections. Capture Capture can now change the Set tempo, if a preferable interpretation is found. When overdubbing a loop in the Session View, Capture will choose the loop iteration with a significant amount of new material in it. This is achieved via a context menu by right-clicking on the plug-in device either in the browser or in the Detail View. If the setting is disabled, the plug-in will appear much smaller in size, but this helps in cases where the mouse would behave erratically when trying to interact with the plug-in UI.
Improved the zoom cursor design to increase its visibility with all Themes. When dropping a sample on a Drum Rack pad, its border now appears in black or white instead of orange , depending on the Theme in use. Improved the ‘Live 9’ Theme. When editing multiple clips while zoomed out of the MIDI Editor, notes are now displayed in a shaded version of their clip color, so it is easier to identify to which clip they belong to.
The color of the little ticks that indicate a boundary between two very small notes has also been adjusted to improve readability. Finally, in order to make high-precision note editing easier, notes are no longer displayed as selected when they are being controlled by the mouse e. Level meter ticks now match the color of the dB labels beside them. Changed the width of tracks created by dragging and dropping something into Live.
Updated the Mid-Dark and Dark Themes. Added minor color changes to Automation Mode. The Solo buttons have been updated to fit the new font. Improved the appearance of the Solo button icons. Minor improvements to the title bar of the multi-clip editor. Updated Ableton Sans Font: enabled use of additional diacritical marks, and correctly positioned them at the height of lower-case characters.
Increased the opacity of the clip content in Automation Mode. Live support exchanging SysEx messages with Max. Mixing The number of audio-in buses for plug-ins has been increased to a total of eight inputs. Multi Clip Editing Improved the behavior of the Fold button when editing multiple clips at the same time.
Scrubbing in MIDI Clips now works when multi-clip editing: – Scrubbing in the Session View will play the clips as if they had been started at the same time, i. If the current selection contains several clips from the same track, clips will be chosen from each track in the following order: foreground clip, playing clip, triggered clip, first clip of the track.
Scrubbing is currently disabled if one of the clips is frozen. Note: the trigger line that shows where the clip s would start during the trigger state does not yet support multiple clips. This will be addressed in the future. Additional bugfixes: – Previously, the freeze layer on top of the scrub area was not shown for frozen MIDI clips. Improved the behavior of the Fold button when editing multiple clips at the same time.
Navigation Audio tracks will be automatically named by the clips that are added onto them. If there is a single session or arrangement clip in a track, then the name of the track will follow the name of that clip. If more clips are added, the track will stick with whatever name it got when there was only one clip.
If all clips are removed from the track, the track will return to its default name. Refined zooming behavior in the Arrangement, to avoid scenarios where the view would jump to the middle of a selection if only one edge of the selection was currently visible. Follow is now paused while breakpoints are created.
Additionally, when replacing a sample already loaded into Simpler, the new sample will retain all the Warp and Loop settings. Added performance improvements to Wavetable and Echo. Real-time modulation signals are now visible at the top of Wavetable’s Modulation Matrix. Reduced the memory footprint of Wavetable. Also reduced occurrences of clicks in the audio when stealing voices. Macro-mapped controls in Wavetable now appear in the Modulation Matrix.
Improved Wavetable’s LFO display to make the visualization smoother and more consistent. Wavetable’s Modulation Matrix headers are now clickable, allowing to jump to the respective modulation source panel. This reduces energy use and heat, and improves battery life.
Copying an Arrangement clip in Session View could create additional unwanted Session clips, under certain circumstances.
Live would crash when loading a Live Set, if one of the tracks contained very short clips, and at least one clip was set to “Master” tempo in the Arrangement. The Segment BPM box is now only editable when a single warp marker is selected. Also, when an audio clip’s Warp switch is activated, or when an audio clip is selected, the first warp marker is now selected and the box is consequently editable. Nudging selected material in the Arrangement might lead to unexpected results, when entering or exiting Automation Mode after creating a selection.
When deleting part of a clip within a fade-in, the fade-in no longer spans the empty space. Fixed a crash that occurred when copying a time selection on a track containing Send automation, under certain circumstances. Nudging clips in the Arrangement was not possible when the time selection was made by dragging from right to left.
When nudging a selection on an automation lane, the automation would be copied instead than moved. When dragging transient markers with the Shift modifier pressed, the transient markers would be deleted instead of moved. Live would crash when moving at least three clips under certain circumstances.
Bugfixes for time selection in Detail View for MIDI clips: when clicking the time selection header with an expanded time selection, the time selection would be lost.
Fixed a bug which prevented nudging Arrangement clips correctly, under certain conditions. Additionally, undoing the deletion of a clip could prevent the time selection from being restored. Live could crash when copying a frozen clip from Arrangement View to Session View.
Additionally, it is now possible to drag frozen clips from Arrangement View to Session View. Live could crash when extending the Arrangement Loop to very large time values. The clip content of the content lane and the main automation lane would visually “jump” by a small amount when toggling Automation Mode.
Moving a non-quantized Warp Marker via arrow keys did not work at certain zoom levels. Immediately dragging a Warp Marker after its creation would not work, if the Warp Marker was not created on the top of a transient marker. The grid modifier was not working when dragging immediately after the creation of a Warp marker. Adjusting multiple clip Gain settings at once would take an unusually long time.
Automation Live would crash when importing a track with Send automation into a Set containing no return tracks. Fixed a bug that affected content selection behavior in the Arrangement, in cases where a previously existing parameter was removed by e. Arrangement automation is no longer lost when duplicating a device using the Duplicate command.
Clips no longer lose their MIDI controller or warping parameter modulation envelopes when dragged to a different track in the Arrangement. Copying, pasting and nudging a non-contiguous selection in automation lanes for multiple tracks could lead to erratic results. Fixed the shape of the right-most automation segment’s active mouse area. On Windows, automation curve editing is now only possible if the modifier was already pressed at the time of the mouse-down, to avoid disabling the grid instead.
When moving the fade-in end past the fade-out start and then back within the same mouse gesture, the fade-out start would not be restored to its prior length. Moving the fade-in start could affect the fade-out start even though they were not touching.
An unexpected fade-in would erroneously appear after removing a crossfade from two crossfading clips. Unwanted time signature automation would be created when duplicating time, if the time selection was not aligned to bar boundaries. The Automation Mode “A” shortcut key toggle was not mentioned in the respective menu entry.
A wrong grid quantization was applied when creating breakpoints in proximity of a breakpoint segment while the grid was set to “Off”. Added various improvements for adding and editing automation breakpoints. Glue Compressor’s “Release” parameter. Automation lanes would not be deselected after folding a track and creating a selection in a different track. When selecting the automation lane in a nested track, the Group Track’s automation lane would erroneously retain the selection, if this previously existed.
It is now possible to drag an automation lane time selection to the content lane of any track. Previously, this was restricted to the same track.
Browser When one of the the Packs folders was favored, browsing its sub-folders via Collections might display the wrong content. Live would crash when trying to relocate a missing user folder in the browser, if the user folder was the root of a drive. When selecting an audio file in the browser, the wrong file would be previewed if a sample with the same name was previously selected.
Folders listed under Collections labels could exclusively be sorted by name. The browser color labels would not update correctly in some situations. When displaying the second browser column, this appeared empty until its label was clicked once. Capture When overdubbing in Session View, only one loop iteration is created before the new captured material.
File Handling Live would crash when restoring a Live Set after a crash, in cases where the Live set had been saved after undoing a manoeuvre. A crash would occur when adding a folder to Places, if the folder name contained an emoji character. Under certain circumstances, recovering a Live Set after a crash was not possible. Live could crash during a crash recovery under certain circumstances. Live could crash when loading a clip under certain circumstances. Changes to the Global Launch Quantization were not undoable when applied via the ‘Options’ menu.
Live would crash when an AU plug-in instance which couldn’t be loaded was removed from a Set. The indexer process could crash on OS X when saving songs,if their filename contained slashes. Also, fixed a bug that caused the loading of a lesson accompanying a Live Set to fail, if the song had a slash in its file name. Live would crash during a Live Set recovery, if the original file name contained certain caracters.
Improved the logic in the mechanism for importing MIDI files in Live, which previously could lead to unexpected results. If an audio file’s name contained certain characters, those characters would not be correctly displayed when importing the file in Live. When undoing an action after Saving a set, saving the Set again was not possible. Increased the preloaded sample file regions for warped samples in Simpler, in order to prevent sporadic drop-outs.
The Undo history would be compromised in cases where the Max installation could not be found, or Max could not be started. Furthermore, Live would endlessly attempt to load referenced patches, when Max was not available. Solved an issue where drop-down menus might appear misplaced on Windows, in multi-monitor configurations. Items in the Global Quantization drop-down menu would not be highlighted when hovering with the mouse.
Improved the handling of multiple program windows on Windows. Previously, Live occasionally prevented bringing other programs to the foreground. Improved the responsiveness of interactions in the Arrangement UI e. In the Session View, clip envelope modulation was displayed in the wrong color. FIxed a bug which, under certain circumstances, might cause certain UI elements to disappear. Adjusted a visual inconsistency in the gap between the meters and devices.
Previously, the cursor would inadvertently move away when clicking in the beat-time ruler, if Follow was active. Improved the readability of the text that appears in a plug-in device when the device is not available, when the Mid-Dark and Dark Themes are in use. When performing a drag and drop of a track into a Group Track in the Session View, the vertical drop indicator would not be displayed correctly.
The resize mouse cursor would not be shown in the Arrangement Overview, under certain conditions. Scrolling in the Arrangement might lag severely on Windows, under certain circumstances.
Animations and meters would temporarily freeze during mouse movements, under certain conditions. Applied a lighter color to the Electric device so that the parameter labels are readable in all Themes.
It was not possible to input alternate characters from the character candidate window on OS X, when renaming items in Live. The height of default MIDI and audio tracks and tracks created by dropping devices is now the same. Added minor visual improvements to the Mapping Browser. The background color of the “Arrangement Position” field in the Control Bar was displayed incorrectly when Link or the Metronome count-in were enabled.
The text for the Tension device’s toggle buttons would fail to appear when using a Dark Theme. When a Dark Theme was in use, selected Rack Chains might fail to display certain icons. When a non-contiguous selection exists in the Arrangement, no selection color is visible in the gaps between two non-selected tracks anymore.
Adjusted the width of the clip preview in Session View while performing a drag and drop action. Fixed a bug which could cause the text in the Help View to be truncated by the scrollbar. The values of small parameter dials would change color upon selection, if the Dark Theme was in use. The Group Track icon would clash with the track name in Session View, if the track was resized to the smallest possible width. The track title text in Session View would change its color automatically when resized to the shortest width, if the Mid Dark Theme was in use.
Adjusted the text color in the Preferences, so that it looks correct in all Themes. On Windows, the size and position of the second window would not be remembered when closing and opening it again. Create ideas, make changes without stopping, and capture everything as you work. If youve used music software before, youre already familiar with with one half of Ableton Live.
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Live now shows different icons for Live Clip. When renaming tracks, [Tab] will navigate to the next track or chain header, while [Shift][Tab] navigates to the previous track or chain header. Improved drag and drop behavior within list views such as the Groove Pool and device chains. Instead of always being inserted before the target item, dropped items will now be placed dynamically, depending on which half of the target item the cursor hovers over.
In addition, the copy modifier [ALT] now works more consistently. Updated the bundled Max build to version 8. Audio driver input and output latencies are now taken into account for Max for Live devices that contain audio routings to external targets. If needed, users can revert to the previous behavior by using the -DisableM4LRoutingCompensation debug option in an Options. Corrected descriptions for the properties have also been added. Sparse mode allows for lower CPU usage.
Added a Smooth drop-down menu to the Reverb device. You can now specify how the Size parameter responds when changed using the Smooth options None, Slow, or Fast. Setting Smooth to None means that some artifacts may occur when changing the Size parameter values. The Slow and Fast options ensure that new delay times are updated over a specific period of time, resulting in a more musical sound.
You can choose between a one-pole lowpass filter or a low-shelf filter. The Tuner device now includes three new options for note spellings. You can access a menu with these options when you right-click anywhere within Tuner’s UI:.
It is now possible to zoom out to a full octave in Tuner’s Histogram View by clicking the interface and dragging the cursor horizontally. A context menu option for a Hi-Quality mode has been added to the Delay device. Inactive visualization data will no longer be sent in the Wavetable and Phaser devices, resulting in slightly improved performance. Push 2 mappings for the Reverb device have been redesigned to include parameters for new features. When navigating tracks and device chains using the left arrow key in Session View, navigation will stop at the first track header as expected.
To avoid incompatibilities, you will be asked to save Live Sets created with an older version of Live as a new file in Live When enabled, changes made to system audio preferences are also reflected in Live.
Fixed the appearance of the Phaser-Flanger device’s Env Fol parameter when the device is deactivated. Fixed a bug that would stop the manual freeze output when switching the Spectral Time device’s Freezer Fade Shape from Crossfade to Envelope mode. Fixed an issue that caused the Corpus device to output silence when using larger buffer sizes on Windows. The dropdown menu for Reverb’s Density parameter is now 2px wider to avoid cutting off the word “Sparse. Fixed an issue that could cause an invalid selection when selecting all chains in a Drum Rack in Session View.
Opening a context menu on Windows with the keyboard shortcut [Shift][F10] no longer changes the time selection in Arrangement View, Session scene selection, or browser selection. On Windows, opening a context menu with the [Shift][F10] keyboard shortcut no longer changes the selected Session track header or Session clip. Fixed an issue that could cause artifacts when using the Complex or Complex Pro warping mode on clips that were only slightly warped.
Fixed an issue that caused unnecessary freeze tail clips when freezing and flattening clips with small gaps between them. Fixed a bug that caused MIDI notes and audio waveforms to jiggle slightly when adjusting clip edges in Arrangement View. Selecting a velocity or probability marker and typing in a number sets the value as expected. When showing or hiding chains in a Rack, the buttons would previously move up and down depending on the view shown.
These buttons are now evenly spaced at all times. Fixed an issue that caused Session clips to be added over Arrangement clips when copying a track in Session View and pasting it into Arrangement View. Fixed an issue that caused inconsistent time signatures when launching scenes with specific time signatures in Session View, and then quickly going back to the Arrangement View.
This issue could also cause the Re-enable Automation button to become stuck. Fixed an issue that caused Live to hang when zooming out of a clip with a small loop region that was being recorded. Fixed a crash that occurred when loading certain Live Sets containing more than 1, tracks.
Fixed a potential crash when opening old Live Sets that contained devices that have since been removed from Live. AU plug-ins are now informed about silent inputs so that they can release CPU resources and report output silence if possible.
This will allow any device in the device chain after the AU plug-in to release CPU resources as well. Fixed an issue that caused note feedback to break when using certain Control Surface script interactions, such as repeatedly switching the note layout on Push while a MIDI clip was playing.
Fixed an issue that inadvertently showed blue hand icons and device locking options for particular device control features not available in some Control Surface scripts. Fixed a bug that kept internal buffers of VST3 plug-ins from resetting properly. As a result of this fix, lingering signals like reverb and delay tails are now reset before audio export starts. Lingering signals can also be cut off quickly by clicking the Stop button three times.
When renaming multiple scenes via the context menu, the edit area will appear on the scene that you right-click and the scene selection will be preserved even if a highlighted scene was not selected.
The Expand Clip Detail View shortcut is only enabled when it makes sense, e. Users will see shorter names for certain values e. In Arrangement View, the right-click context menu grid setting options now appear as expected, even when there are various time signatures in the Arrangement. Dynamic Colors: default Max for Live device patcher background color follows Live’s theme. It is possible to unset the property when using live.
This dict can have an additional key or filters mapped to a list of note property names. If filters are provided, the returned dictionaries will only contain the specified properties rather than the full note descriptions. When a warped clip is frozen, the Grain Size parameter of the Tones warp mode is also frozen. Fixed a visual bug that caused small time selections to flicker when zooming out in Arrangement View.
Fixed a regression that impaired Live’s ability to deliver host information to VST2 plug-ins. When renaming multiple clips in Arrangement or Session view via the context menu, the edit area will be shown in the clip that you right-click. Fixed an issue that occurred by navigating with the Tab key when renaming multiple clips. Using [Tab] and [Shift][Tab] while renaming tracks now allows the user to cycle between the first and last tracks in Arrangement View.
Fixed an issue that caused extra spacing to appear in track title bars when deleting multiple tracks. Fixed an issue that caused duplicate send letters in a return chain when renaming the chain in a Drum Rack.
Fixed a small bug with multi-clip editing where some notes would not be selected properly in certain scenarios. On Push 2, the Frequency and Width parameters for the Corpus device are now displayed correctly. Consolidating audio clips no longer takes additional time when plug-ins are on corresponding return tracks. Navigation behavior between take lanes, clips, scenes, and tracks is now more consistent.
Fixed an issue that caused tracks that were copied and pasted into an automation lane or take lane in Arrangement View to be added to the last track position. Fixed a bug that would cause Live to crash or hang when unplugging the audio output device during export. Duplicating time between two time signature change markers no longer adds an unexpected duplicate time signature change marker in the Arrangement.
Fixed a crash that sometimes occurred when selecting tracks that contained missing VST2 plug-ins. Fixed a crash that happened when adding a preset of an unavailable plug-in to the end of a device chain. In addition, the sensitivity of the encoders has been increased for both control surfaces. Setting a property on a live. Note: The beta auto-update from If you are on an M1 machine, please download the universal installer from Centercode.
You can use the Arrow Left key to navigate from an automation lane or take lane to the main track, this will fold the lanes as well. You can also use the Arrow Left key to navigate from tracks in a group to the main Group Track.
When viewing Sets in the browser, you will see a Devices icon for device chains on a track that contain at least one device. When you expand a Live Set in the browser, either from the Current Project folder, Templates folder, or a folder of Sets you have added in Places, you can unfold the tracks in the Set to reveal their device chains. These chains can then be moved into the current open Set using drag and drop or by double-clicking on the chain.
The Device settings from the original Set are retained but any previously recorded automation is not. In the first captured MIDI clip in an empty set with the transport stopped , if the detected loop is eight bars or less, the first played note is considered the start of the loop. When only one note is played in the first captured MIDI clip in an empty set with the transport stopped , the loop boundaries are set to the note start and end, and the tempo is accordingly calculated, resulting in a one, two, four, or eight bar loop.
This is particularly useful when playing a rhythmical sample with a single MIDI note. In Clip View, all clip properties are now displayed in tabs instead of additional panels. When Clip View panels are arranged vertically, the individual tabs e. Clip, Audio, Envelopes, etc can be collapsed and expanded using the arrow icon to the right of the tab header.
Sample information for audio clips e. Clip View panels can now be accessed using keyboard shortcuts. When multiple audio clips are selected, the sample properties sample rate, bit depth, and channel count for all samples will be displayed in the Clip View. In Clip View, you will also see the total number of samples selected. Splits are created on the updated clips in certain cases when the relation between other highlights on different clips change.
The horizontal lines that separate multiple take lanes match the color of the clips that are in those lanes. When renaming multiple tracks or take lanes using the context menu option, you will see the edit field when you right-click on a track or take lane. When navigating between devices on a selected track with the PreSonus ATOM SQ, you can now scroll between devices by holding the navigation buttons down.
If an invalid CC, note, or channel value is used in a UserConfiguration. By default, Live will not display the Current level; it must be enabled from the drop-down menu.
You can use the left and right arrow keys to navigate radio buttons anywhere in Live. If you are navigating radio buttons on a device that is inside of a Rack with the left and right arrow keys, you can get back to moving between devices in the Rack using the left and right arrow keys by hitting the ESC key. In Session and Arrangement View, the Monitor radio buttons now have a default state that can be restored. Deactivated device title bars are easily readable in all Live Themes, even if the device is selected.
An error message will be displayed in the status bar if an auto-update cannot be downloaded. When enabled, certain MIDI control message types that are not automated for a given clip will automatically reset at the start of a new clip. Note: for users who intentionally work opposite to this behavior, enabling this change will make corresponding Live Sets behave differently.
In Live This will select only those notes that have the provided IDs. When Max fails to load, an error message will be displayed that contains a link to a Knowledge Base article that explains potential causes for the issue and steps to take to resolve it.
Dynamic Colors: ability to use a name which references a dynamic color follows Live or Max color themes. You can use the settings to:. Time selection interactions, note selection interactions, and new note editing options have been added to multi-clip editing:.
Note editing e. In Arrangement View, it is possible to draw notes in background clips without first changing the foreground clip. Notes can also be drawn continually across clip boundaries, except in Focus Mode. When using a pen to draw notes with “Draw Notes with Pitch Lock” enabled, any notes that cross a loop boundary are no longer deleted. When more than 64 clips or eight tracks are selected in Arrangement View, the MIDI Note Editor is no longer available for multi-clip editing to prevent potential performance issues.
Introduced “Shifter”, a new audio effect in Live Standard and Suite. Shifter is a multi-purpose audio effect for pitch shifting, frequency shifting, and ring modulation.
The pitch or frequency of incoming audio can be tuned using Coarse or Fine parameters and further adjusted with a Tone filter and Window parameter. Introduced the Align Delay device, which is now included in the set of Max for Live devices that come with a Suite license, or a Standard plus Max for Live license.
The Cytomic Filters, which are used in the Wavetable, Echo, Simpler, Sampler, Operator, and Auto Filter devices, have been updated and improved in stability, sound and performance. As of An update to the Softtube libraries may cause subtle sound changes in the Amp and Cabinet audio effects.
Enabling it reduces the latency of the dry signal to zero instead of syncing it with the output of the effect. This option is useful when playing a live instrument through Spectral Time and monitoring the output. A context menu option for Hi-Quality mode has been added to the Wavetable device.
When Hi-Quality is off, Wavetable modulation is calculated every 32 samples. Low-power versions of the Cytomic filters are also used to further reduce CPU. Please note that as of However, any user presets or Live Sets created previously will still load Wavetable in Hi-Quality mode to ensure sound consistency with earlier Live versions. Subtle sound differences may occur when Hi-Quality mode is enabled. Also some parameters for Hybrid Reverb on Push 2 have been rearranged for easier navigation.
Selecting scenes no longer highlights the Master track, instead the scene itself is highlighted. Navigating from the last clip slot to a scene with the Arrow Right key will highlight the Master track. You can click on a scene number or the Master track header to access the Master track and Scene View panel.
Devices that use beat sync divisions now remain in sync when the device is re-enabled during playback. Previously, when merging a device chain containing no instrument with another device chain containing an instrument, the instrument would be deleted from the merged chain. Live no longer moves samples from a temporary project to the final saved project folder. Fixed a bug that created file path issues with the Live Recordings temporary folder if it was also saved and renamed in Places.
Previously, if a plugin was grouped into an Instrument or Drum Rack, the MPE settings of the plugin were not retained when the Rack was saved as a preset. Fixed a crash that occurred if non-supported MPE data e. Fixed a crash that occurred when clicking on a parameter in Live and adjusting the same parameter using an encoder on Push at the same time. Live would crash if undo was selected twice after duplicating and moving the track. When highlighting an area of a take lane using Draw Mode, the clip name appears as expected.
Plug-ins that cannot be loaded appear with a standard device background that includes a more detailed error message. In Arrangement View, the dialog box that appears when multi-clip editing is no longer available because more than eight tracks are selected appears as expected.
When several audio clips with different pitch values are selected, you will see the range of values for each clip highlighted in blue on the Pitch dial in Clip View. Fixed two bugs that caused the time selection to not be updated as expected when editing several clips compared to editing a single clip. Selected parameters of a Max for Live device can still be controlled by key events even if the device is no longer visible.
Live 11 Beta Release Notes Fixed a crash that sometimes occurred when loading a plug-in that could not instantiate its presets. Improved Live’s performance when many clips are selected or deselected. Fixed a crash that occurred when plug-in pop-up dialog boxes appeared as a plug-in or preset was being loaded.
Fixed a crash on macOS that occurred when closing a video window in fullscreen mode by double-clicking on the window. Fixed a crash on macOS that occurred if a Live Set had only one video clip in it, by briefly closing the video window when moving the clip around.
Now when moving a single video clip around, the video window remains open at its current position and size. Updated various software texts. Bugfixes: A selection outline now appears as expected on all clips when multiple clips are selected on a folded track in Arrangement View.
Fixed a potential crash on Windows that occurred when closing Live right before the program tried to install default Packs. Fixed a crash that occurred during playback when switching from Arrangement to Session View in Live while in Clip and Note mode on Push. Fixed an issue with various Control Surface scripts that caused clip launch button LEDs to be in an incorrect state when changing the input type of a track. Live now recognizes if the set is corrupt and displays a corresponding error message.
Users can reach out to Support to see if their sets can be repaired. Fixed a crash that occurred when restoring a Live Set containing an AUv3 plug-in with automated parameters in a return track.
Fixed an issue with certain VST3 plug-ins that created unwanted artifacts in rendered audio. Previously, Live would crash when deleting an instance of Simpler from a Drum Rack pad while the Simpler’s Envelopes view is visible on Push. Previously, Live would crash when routing an Ext. Live now uses its own silence detection for AUv2 and AUv3 plug-ins. As a result, certain reverb, delay, and generative audio effects can sustain infinitely after the input signal has gone quiet.
In the DS Drum Rack preset, devices contained in the selected chain are now always shown by default. Fixed a bug that prevented tempo-synced AUv3 plug-ins from synchronizing with Live. Fixed a crash that occurred when opening the context menu of a clip in the Arrangement when different types of clips were also selected.
Fixed an issue that deselected AUv2 and AUv3 plug-ins after duplicating a selected plug-in. Fixed a crash that occurred when using the header area of a time selection to select time in a MIDI clip when in the Expression tab. Fixed a crash that occurred when loading a Live Set with plug-in automation on the Master track, or on a return or group track. Live no longer hangs or crashes in certain scenarios when the Grammarly macOS app is concurrently running. Fixed a crash that occurred when opening Live Sets containing VST plug-ins with a selected preset that was different from the first option in the preset bank.
Disabled devices now display an alert icon above error messages in Device View. Updated various info texts. Updated the What’s New in Live lesson.
Max for Live Updated the bundled Max build to version 8. Optimized for better CPU performance. Tuner: The Tuner device now includes three new options for note spellings. Presets containing the Saturator device now run with improved CPU usage. Push Push 2 mappings for the Reverb device have been redesigned to include parameters for new features. Session View Improvements It is now possible to simultaneously rename multiple rack chains in Session View.
Setup To avoid incompatibilities, you will be asked to save Live Sets created with an older version of Live as a new file in Live Max for Live Bugfixes Fixed a bug where adding Expression Control would create unnecessary undo steps. The encoder sensitivity for the KeyLab and KeyLab 88 Control Surface scripts has been reverted to its initial setting. Bugfixes: Fixed a bug that caused missing MIDI notes when drawing with the pencil tool in quick or large gestures while multi-clip editing.
Fixed a speculative issue with Audio Units parameters that have type MIDINoteNumber, have no display names attached to their values, and have a value range that does not begin at zero. Updated the software texts for the Collision instrument. Bugfixes: Fixed a bug that caused note-off and pitch bend reset messages to be sent to all routed MIDI outputs when the device chain of any track changed. Fixed an issue for VST3 plug-in development that caused projectTimeSamples to sometimes be incorrect.
Fixed a bug that caused loud audio spikes in Wavetable under rare circumstances. Fixed an issue that caused Live to incorrectly show video clips on the uppermost track instead of the bottommost track in Live Sets with multiple overlapping video clips. Selecting Jump from the Follow Action drop-down menu now shows the text Jump the full text is slightly cut off. The Follow Action Chance percentages are also now aligned to the right.
In multi-clip editing, selecting multiple notes by dragging the mouse right to left and then moving the selected notes now works as expected. Fixed an issue that caused time signatures changes in Arrangement View to be removed when freezing a track that also contained Session View clips. Fixed a crash caused by adding certain plug-ins such as Omnisphere to a track and then undoing the action. Live would also sometimes crash when trying to re-open the same Live Set after the initial crash.
Clip borders are now drawn using opaque color to improve visibility. Bugfixes: When a warped clip is frozen, the Grain Size parameter of the Tones warp mode is also frozen. The clip names of frozen take lane clips now appear as expected in Draw Mode. Extending an unwarped clip past the original clip end now functions as expected.
When Draw Mode is enabled, grid lines will appear as expected in take lane clips. The time selection of folded tracks in Automation Mode now appears as expected. On its personal or with different musicians or DJs, stay on stage, or when remixing inside the studio all you want is stay and.
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If you have recently purchased an Ableton Live license, читать полностью will need to authorize your new software. Authorizing Ableton Live ensures users have access to all features the software has to offer. While most users traditionally choose ablston authorize online, Live provides an easy solution to authorize its software on a device without an internet connection.
To authorize Ableton Live offline, start by installing and opening fioe software. Once open, a welcome window will appear prompting you to authorize your software. You will then be provided a short list of things required to complete authorization offline. Offline authorization can be performed avleton the same computer, as long as it ableton live 9 suite authorization file free an internet connection.
Take note of your hardware code and Ableton serial number if you purchased Live in a store. Once you have logged in to your Ableton account, select the version of the ableton live 9 suite authorization file free you are authorizing from the drop-down box. Enter the digit hardware code that was displayed frew the authorization window of your Ableton Live software. An Authorize.
Copy and paste the authorization file onto an external storage device such as a USB, an external hard-drive or an SD card. Alternately, you can upload the file to an online storage service like Google Drive or Dropbox.
On the computer with Ableton Live installed, plug in the external storage device containing the Authorize. Lastly, double-click the authorization file or drag and drop it onto the authorization window in Ableton Live. Your Live software will now be authorized!
Here at Live Aspects, we have dozens ableton live 9 suite authorization file free useful lessons and tutorials created to enhance your music production skills and help speed up the learning authorizatin. You can access our huge range of music theory lessons and production tips and tricks here. Hi, my name is Ben. I’m a DJ and producer with livw bachelor’s degree in Suire Production. I’ve spent the last eleven or so autnorization addicted to music production and discovering the extraordinary ways producers around the world create their music.
My goal is to provide eager producers with the tools and information they need to make amazing fjle and experience the thrill of music production. Save my name, email, and website in this browser for the next time I comment. Ableton Live. Step 4: Select License From Ableton Account Once you have logged in to your Ableton account, select the version of the software you are authorizing from the drop-down box. Step 6: Enter Hardware Code Enter the digit hardware code that was displayed in the authorization window of your Ableton Live software.
Step 9: Authorize Ableton Live On the computer with Ableton Live installed, plug in the external storage device containing the Authorize. Want To Know More? Benjamin Jones Hi, my name is Ben. You may also like. Leave a Comment Cancel Reply Save my name, email, and website in this browser for the next freee I comment.
One moment, please – 11.2b6 Release Notes
Reopen Ableton and the authorization window should come up. I cannot use the patched “Live” file, because Autnorization won’t open at all then. The patch maker I downloaded generates a. Last edited by a moderator: Oct 5, Sign up to join this community. Ссылка на продолжение in ‘ Live ‘ started by 4spotJul 21, New tools and an страница workflow allow fast and flexible editing of musical ideas.